@gk
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I wonder how many thousands of dollars an animatronic puppet like that would set one back..?
20K, 30K, seems like good money well spent to baffle a few thousand hobby researchers and generalized crypto enthusiasts, I would feel mightily pleased that someone would go to all that effort to bamboozle little ol’ me!You’re so right, I love all the episodes with Josh too, as for finding a pic of the mysterious Vic Cundiff good luck! Maybe he’s not so photogenic being an 8 foot tall hominid wolf chimera lol.
As far as this vid is concerned what most gave me lingering involuntary goosebumps was the oddly and disproportionately tiny eyes and their placement so near the sides of it’s head – unlike regular canids and felines.
Also if you peer through the shrubbery and watch closely it seems to assume a low crouch stance with it’s left ‘arm’ closer to it’s body and it’s right ‘arm’ waaaay way out further to it’s right side, way further then if it was only equip with regular dog or cat legs. A really menacing almost theatrical attack pose, almost as if it had some awareness of what constituted the dramatically fearful. Something that these creatures are noted for projecting to human subjects time and again.
The fact it’s staring directly down the barrel of the camera lens distort the viewers depth perception in that it’s finely coiffed and copious tufts of facial hair further camouflage the true length of it’s muzzle and even the high resolution cant pic up that level of fine texture and so it appears blurry.
I think the magnificent show-dog hairdo really throws people off, but then again Dogman Radio does make numerous references to sandy, auburn, grey, black, long haired and short haired varieties of this creature – just like Bigfoot.Convinced it’s not a conventional creature the only question remains is who would spend so much time and/or money creating such a uniquely off-base CGI project for such limited distribution and recognition? Why not do it in black and halve your rendering headaches? Why include so many simultaneous and subtle mannerisms in the creatures facial movements? Why compound the complexity by adding multiple layers of foreground clutter that’s also in motion?
If it is real then the camera person choosing anonymity over notoriety might be understandable if one considers the case of Patterson and Gymlin and what it did to their lives. Like Wes says, the vast majority of people never make it on air.
